Next week I am hosting my first 6-day Recording Boot Camp at the new studio in the Berkshires of Western Massachusetts. This is also the first one I have done in the United States in a few years. I am excited for it. Throughout the week I will undoubtably harp on one thing over and over again – the importance of what happens before the mic. How the things we do before the mic in recording are the most important decisions we can make, to get us to the sound we want coming out of the speakers.
…but do I really believe that?
Of course I do! But like everyone else, I often get excited about cool recording hardware and software and lose sight of that eternal truth. I start thinking about what mic pre or EQ I need to get the sound I am looking for.
As I write this, it is the 50th anniversary of Nick Drake’s death. If you do not know his work, I would strongly recommend checking it out. He was a brilliant guitar player, singer and songwriter, whose immense musical talent was only matched by his personal demons that eventually got the best of him. So many of us have heard Nick Drake’s music and fallen in completely in love with it. Nick’s final album was a masterpiece called “Pink Moon.” Not only do I love the music, but I am head over heels with the sound of it. (and to a slightly lesser extent his other two albums). It is direct and rich and warm and just on the edge of breaking up. The sound is everything I associate with the best gear of the era from brands like Neumann, Neve, Studer, etc. I have always wanted to know exactly what gear they used to get that sound I love so much. Neve pre-amps? Hellios?
A little while ago I was browsing around YouTube and I came across a video called “Nick Drake’s Tone – An In-Depth Look.” I was finally going to get the info about all the recording gear they used to get that sound!
I was duped! |